Five of the top 20 guitars are proper Stratocasters, seven if you count the Silver Skies. The decades-long competition between Stratocasters and Telecasters has a close yet decisive winner this year in the Strat.The SE Silver Sky reigns supreme for the second year in a row, helped this year by PRS' brand-wide 20%-off sale on SE guitars, which the company extended across all of its dealers.PRS SE DGT David Grissom Tremolo Signatureįender American Vintage II '61 Stratocasterįender American Standard Stratocaster (1986-2000) Note: All rankings are determined by total order count-that is, the actual number of items sold, not the total price of sold items.įender American Professional II Stratocasterįender American Professional II Telecaster This "overall" list includes guitars purchased across all conditions, whether the happy buyer got something brand new from a brick-and-mortar dealer or used from a fellow musician.īecause many regular readers of our annual best-sellers lists have asked for sales of new and used items to be broken out separately, we have done so here in our best-selling electric and acoustic guitars lists, and in others-for synths and electronic gear, pedals and amps, and recording equipment-that will follow.Īs always, these lists exclude items that were exclusively for sale on Reverb, on sale for exclusive-to-Reverb prices, or otherwise benefitted from exclusive promotions on our site. The guitar lists below begin with an all-in view of the electric guitar market. Remember That You Will Die is available to preorder.Near the end of each year, we like to pause as it draws to a close to take stock of the year's best-selling music gear.If it sounds good on this, it’s most likely going to sound good on anything.” Once it sounds good by itself, you can add whatever you want in post-production, or move it to a guitar with a whammy bar. Suggesting that he’s also been working on some more contemporary fingerstyle techniques, he adds: “The most recent thing I picked up because of this guitar is similar to that ‘campfire’ style of playing where they keep the backbeat, while playing melodies and chords.”Īs a final thought on his recent deep dive into the unplugged world, and how it relates to his wider musical philosophy, Tim ponders: “I’ve been a firm believer, even before I picked this up, that when you compose something, it should sound good and complete in its most bare state. Bending the string doesn’t really give the same tonality.” You end up mainly vibratoing like a bass player where you’re shifting between two frets. The meat of your finger has to land exactly where it’s supposed to and stay very stable. As you can see, the entire song is played with a pick, and it wasn’t until after that I started to develop right-hand classical prowess.”Īs for adapting his left hand, Tim explains: “You have to be a bit more accurate. One was La Catedral, so that helped a bit, but Playing God was started before that. Having called upon fellow prog-metal pioneer Tosin Abasi for some thumping tuition, Tim recalls: “In between the first and second lesson, he also gave me two classical pieces to study. As he puts it: “Between every album, I think: how can I level my shit up?” Throughout its development process, Tim has been busy honing new techniques informed by the TOD10N’s nylon terrain, and the upcoming record will chart this progress. “It’s pretty loud for how thin it is,” he says, “which is awesome because I love a resonant guitar.” In fact, the TOD10N has a semi-hollow design, with a discreet soundhole located on its upper bout, which, unlike traditional acoustics, projects sound directly towards the player. I’ve also seen people say that it’s a solidbody. Keen to dispel some other early internet rumours, he also asserts, “I’ve seen a lot of people trying to say that it’s a Talman. Henson laughs: “I did a couple of videos with that one and people started calling it the ‘slice of bread’ because it’s white on top and brown on the sides.” ![]() Those who have been following Henson’s social media may have also spotted a white prototype, though that colourway was unceremoniously ditched. I wanted to stay somewhat close to the traditional, single cutaway acoustic-looking guitar, while also keeping modern aesthetics.” As such, it has a sleek matte black finish, and sports Henson’s new ‘Tree of Death’ signature inlay – another nod to Steve Vai, and a dark twist on Vai’s ‘Tree of Life’ inlay design. Unlike the S-type body shape of the SC500N, the TOD10N, says Henson, “kind of looks like a Telecaster. ![]() “I hope to follow in the footsteps of Steve Vai and come out with a few signature models every year for the next 50 years and, you know, build that legacy,” he smiles. Likewise, the TOD10N itself is one of a number of models that Henson has been developing with Ibanez, and he says that a “not nylon” version may see the light of day in good time.
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